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21 Putting it All Together: A Conlang Project for Teaching Beginning Linguistics (has project stages 1 and 2)

Project Stage 1

The Constructed Language Project is the major project and major graded work in this course. Please make sure you complete all parts to earn a grade (incomplete earns no grade!). This will likely take you a few hours. You may need to review lectures and videos again to be able to complete the work.

This is both a formative and summative assessment.

  • It is formative because you don’t have to be perfect to earn an okay grade and you get to revise as you move through later projects—it is about learning.
  • It is summative because you are demonstrating how well you have learned the content so far.

Purposes:

  • To begin world building for the culture your language will be situated within (Course Outcomes aligned: 1a, 1b, 1g)
  • To decide the orthography (writing system) for your language (you will only use it in this stage!). [Articulate the differences between orthographies]. (Course outcomes aligned: 1d, 3a,
  • To decide on a ‘sound’ for your language. [Discern between phonetic features of sounds] (Course outcomes aligned: 1e)
  • To practice developing arguments (4b, 4e)

Instructions: 

  • Answer the questions below/do the work indicated.
  • If a question has 2 parts, make sure to answer both.
  • Type (or copy) your answers directly in to the forum message body (don’t attach a link or document). Tip: write up your assignment in a separate document and then copy and paste it into the forum message space. This will avoid your forum post ‘timing out’.
  • Title your post with the name of your language and a descriptive term about the culture. For example: Klingon—warrior peoples!
  • Remember:
    • Label your questions and number them to match this prompt.
    • Check the rubric to help you understand how to pass the activity.
    • You are creating a brand new language. This cannot be a combination of two existing languages. You are not describing languages that already exist.

Part A: About your language and culture group

Answer these questions in one sentence each.

  1. What is the name of your language?
  2. What is the name of your culture group? (might not be the same as your language name)

Part B: About your species and culture group

Answer these questions in a few sentences each.

  1. What is your species like (must be humanoid, but can be cat people, insect people, flower people, anything your imagination can come up with, so long as they are humanoid and have human like vocal apparatus). Note: you can choose a sign language, but this will be sooooo much more work for you.
  2. Where does your community live? Draw a map and describe the location and environment.
  3. Who are the surrounding peoples?
  4. What major conflicts are occurring in your community?
  5. What is interesting about your culture group? (Think about how their culture relates to their environment or species or the conflicts occurring).

Part C: About your writing system

Answer these questions in a few sentences each:

  1. Which orthography (writing system) does your community use? How does it suit your intended community or your learning?
  2. What orientation will your writing system take (top down or bottom up, left to right or right to left, or something else (spiral, 3d)? Why did you choose this orientation for your writing system? How does it fit with the materials your community has to write on/with? (This should relate to the environment your culture group lives in, as described in part B).
  3. Provide examples for at least 5 symbols for your language and the words they are found in/represent. What does the symbol represent (a specific sound, a specific syllable, or a specific word). Translate the word in which/for which this symbol is used into English. (Bonus tip: if you start thinking now about words that might be meaningful in your group’s culture, that is really helpful for later stages!)

Part D. About your language’s sound system

Answer these questions in a few sentences each:

  1. How do you want your language to ‘sound’? How does this connect to your culture and your species?  
  2. Which sounds will help your language sound this way? List at least 10 sounds using the IPA symbols. Describe each of these sounds using the linguistic terminology indicated in our lectures (the three characteristics of consonants and the three characteristics of vowels).
  3. Why did you choose these sound? How do they represent your species or culture? What do the sounds have in common?

Part E. How did your language originate?

Answer these 2 question in one well-developed paragraph each!

  1. How did human language originate? Use the information from our lesson ‘Where did language come from’ to support your answer. Make sure to cite to the lesson to indicate which bit of information you use comes from which of the authors cited in the lesson.
  2. How did your language originate? Decide whether your language originated independently in your species or from an earlier species that your species evolved from. Make sure to provide evidence (biological and cultural related to your group) to support your answer.

Note: a well-developed paragraph has this structure:

  • Sentence 1: answer the question clearly
  • Sentences 2-3: define terms, provide background context, etc.
  • Sentences 3-5: provide evidence (from our class lectures and videos) to support your answers.
  • Sentences: 5-6: explain why this is important to know (or if in an essay, transition to the next paragraph).
  • How to cite! See our guide to citing and referencing in course resources. Quick take: list the author last name and year of publication in parentheses right after you use or mention that information in a sentence (not at the end of the paragraph).

Part F. Review your classmates’ conlang plans!

Once you have posted your original post, you will see everyone else’s posts. Read the posts of at least 2 classmates. Respond to those two classmates with answers to the following questions. Try to choose classmates who don’t already have reviews (don’t everyone review the same conlang—help the class!).

Note: while it is tempting to just say “everything is good”, that is not as helpful to your classmates or to your own learning as giving meaningful feedback, both positive and negative. Please take this seriously.

  1. What is something really cool, interesting, or surprising that you like about the proposed conlang?
  2. How might their culture and language influence each other? Offer another feature of their culture that they could develop to help show this connection between their language and culture.
  3. Assess their writing system. Do their example symbols illustrate the writing system they say they do?
    1. If yes, suggest an additional symbol and word (with translation) that would be important to their culture.
    2. If no, explain what is wrong with that section and how to fix it. (Note, this means you need to make sure you understand how writing systems work—go back and re-watch the lecture and videos.)
  4. How well do the sounds they have chosen reflect their species or culture?
    1. If really well, what other 3 sounds would help? Why?
    2. If not well, which sounds would you suggest (at least 3) that would help reflect their species or culture? Why would these be good choices?
  5. Do their descriptions of sounds match the IPA symbols they chose?
    1. If yes, suggest at least one more sound with the IPA symbol and the description that fits well with their chosen sounds.
    2. If no, explain where the misunderstanding is AND how to describe the sounds they have chosen (based on the IPA symbol) using linguistic terminology.
  6. How well do they understand the debate and evidence for how human language developed?
    1. If not, where is the misunderstanding?
    2. If they’ve really understood it well, how can they use that information in their discussion of how their conlang originated? Suggest an addition to this section.
  7. What are you especially looking forward to learning about their conlang as it develops?

 

 

Project Stage 2

Purposes

  • To explain the interactions between language structures and culture, specifically related to power, geography, and history.
  • To apply the concepts of syllable structure, stress and prosody, word order, and headedness to creating a new language structure.
  • To articulate a thinking process and to analyze how others frame a problem.

Step 1: Revise (and highlight)

  • Based on your feedback from classmates’ peer reviews and from the professor, revise your project stage 1.
  • Highlight in yellow any revisions you make.
  • Include the revised stage 1 in your stage 2.
  • Label each stage (use 16 point font and Bold).

Step 2: Write stage 2

  • Remember to label your sections (just copy and paste this section) and use bold/space to help the reader.
  • Try to really think through (and explain) the why of things. The explaining supports the Gen Ed Objective 7 outcomes “articulate a thinking process” and “discuss framing”.

Part A. Describe how your language is related to other languages.

  1. Which other languages is your language related to? How did your language split or merge from those to become your language?
  2. What dialects does your language have? How does this reflect your culture and/or geography?
  3. Draw a family tree that shows both the languages your language is related to and the dialects of your language. Bold your language dialect that you are focusing on describing for your conlang.
  4. What registers and/or sociolects does your community use? What situations would people use them in? Write at least one curse and at least one slang phrase (in English) that a group in your community would use.

Part B. Describe your language’s syllable structure and stress?

  1. Create a chart to address the following questions.
    1. Use CVC notation to list all the possible syllable structures your language will include.
    2. In the same list, indicate which of your syllable structures is light or heavy and which are open or closed.
    3. Give an example of at least one word in your language that uses the type of syllable.
    4. Syllabify that word.
  2. Can your syllable contain onsets? Codas? Can onsets be complex? Can codas be complex? Can vowels be long? Explain your syllable structure rules using syllable structure notation (onset, coda, nucleus, etc.).
  3. How does stress work in your language? Is your language a pitch accent language or does it have even stress? Does it use tone? Add stress or tone marking to the words in the charts above.
  4. Explain how this syllable structure and stress pattern (prosody) will help your language sound the way you want it to, as you described in stage 1. How does this relate to your people, culture, or geography?

Part C. How is power reflected (and maintained) through your language?

  1. What are the power norms present within your culture group? Think about age, sex and gender (not the same thing in anthropology), status, occupation, economics, etc.
  2. How does your language reflect these power differentials? If your culture is truly egalitarian, how does the language reflect that? Write at least 3 works that demonstrate power dynamics in your culture. Write the words in English.
  3. What is some terminology that has arisen based on the conflicts you identified in stage 1? Write at least three words related to the conflict in English.
  4. Based on the culture, geography, economy, etc. of your culture, write a set of focal vocabulary (at least 10 words, in English) that would be meaningful in your language.
  5. How do all of these words reflect your culture, geography, biology of your community? Really explain this well.

Part D. Describe the Word Order and Headedness Parameters for your language.

  1. What word order will your language use? It cannot be the same as in English.
  2. Explain why this word order makes sense for your community/culture?
  3. Which headedness parameter will your language use?
  4. Why does this make sense for your community? (or how does it help you learn about syntax?)
  5. Change the order of words in the following English sentence to match the word order and headedness parameters you chose for your language: That large teal duck caught three tiny silver fish.

Part E. Build a very short dialog or poem or song in your language (in English). You could do an origin story, if you really want.

  • Focus on simple declarative sentences as much as possible.
  • Include one complex or compound sentence.
  • Include one poetic, slang, or expletive turn of phrase.
  • Make the dialog, song, or poem meaningful to the culture. Try to use some of the words you have written so far in this project (in English).
  • Write this in English.
  • Keep this relatively short (fewer than 5 lines) for your own sake.

Step 3: Review 2 peers’ projects.

  • Remember to give meaningful constructive criticism as well as praise.
  • Please review people who don’t have reviews (or only have 1 review).

Answer the following questions.

  1. What was the most meaningful revision they made to stage 1?
  2. What was something about stage 2 you really liked?
  3. Is their language family tree easy to read? How well does it reflect what they wrote about in their answers to the questions? Is anything missing? How well does their language family relationship reflect the culture/conflicts or geography of their region?
    1. If great, describe how it helped you understand language relationships as a concept.
    2. If not, what would you recommend they add/change?
  4. Analyze their syllable and stress descriptions. Answer yes/no for each of these.
    1. Did they list all the possible syllable types in their language using CVC structure?
    2. Did their description of syllable structure match their table and use linguistic terminology?
    3. Was their breakdown of heavy/light/open/closed syllables accurate?
    4. Did they syllabify their words correctly (considering onset maximalization)?
    5. Did their stress/tone marking match their explanation?
    6. For any of these that were not quite accurate, indicate what needed changing. Make sure you understand this before you evaluate someone else’s work! If you don’t already or aren’t clear on it, visit with the prof before you do your peer reviews.
  5. Was their description of how power, sociolect, and register worked in their language clear? And, did it fit their culture as described?
    1. If yes, what additional terms would suggest?
    2. If not, what would you recommend they add/change?
  6. Was their focal vocabulary all related to one semantic domain?
    1. If yes, what is that domain and what additional terminology or focal vocabulary would you recommend.
    2. If not, how can you tell? What domain would you suggest?
  7. Was the description of their word order and headedness parameters accurate, given our lecture content? Did they use correct terminology? Did their example reordering of an English sentence reflect their decisions?
    1. If yes, what was especially interesting about this?
    2. If not, what would you recommend they change?
  8. Did their short dialog, song, poem, or story reflect their culture well? Does it engage with their focal vocabulary or power terms?
    1. If yes, what especially represented the culture well?
    2. If not, what would you recommend to strengthen this?
  9. What are you most looking forward to in their project stage 3?

License

Lingustics for Conlanging Copyright © by Elizabeth A. Redd. All Rights Reserved.